(Ape caricature art by Richard Smith) by Anthony Taylor, Contributing Writer In Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. […]
Author: Anthony Taylor
Apes On Film: One Night In SoHo
(Ape caricature art by Richard Smith) by Anthony Taylor, Contributing Writer, and in Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch […]
Apes On Film: The Sixth Love Language – Dating and Murder in RED SUN
(Ape caricature art by Richard Smith) By Lucas Hardwick, Contributing Writer, in collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch […]
Apes On Film: It Wasn’t All Giallo – The Sunday Woman
(Ape caricature art by Richard Smith) By Anthony Taylor, Contributing Writer, in Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch […]
Apes On Film: Mystics and Phantoms and Creepers, Oh My! Eureka Entertainment’s CREEPING HORROR Collection
(Ape caricature art by Richard Smith) By Lucas Hardwick, Contributing Writer, in Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch your […]
Apes On Film: (UN)Faithfull Traveller – Adorable Nihilism in The Girl On A Motorcycle
(Ape caricature art by Richard Smith) By Anthony Taylor, Contributing Writer, in Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch your […]
One Million Dollars an Hour—The High Price of Living in ‘The Taking of Pelham One Two Three’
(Ape caricature art by Richard Smith) By Lucas Hardwick, Contributing Writer, in Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch your […]
Apes On Film: Ne me quitte pas — Maneaters and the Men Who Love Them in Kino Lorber’s FRENCH NOIR COLLECTION
(Ape caricature art by Richard Smith) By Lucas Hardwick, Contributing Writer, in Collaboration with ATLRetro Welcome to Apes on Film! This column exists to scratch your […]